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	<title>Famous Architects &#187; Michael Graves</title>
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	<description>Biographies of World Famous Architects</description>
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		<title>Michael Graves</title>
		<link>http://thefamousarchitects.com/michael-graves/</link>
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		<pubDate>Mon, 02 Mar 2009 07:45:48 +0000</pubDate>
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				<category><![CDATA[20th Century Famous Architects]]></category>
		<category><![CDATA[Featured Slideshow]]></category>
		<category><![CDATA[List of Famous Architects]]></category>
		<category><![CDATA[Le Corbusier]]></category>
		<category><![CDATA[Louisville  Kentucky]]></category>
		<category><![CDATA[Michael Graves]]></category>
		<category><![CDATA[New York Five]]></category>
		<category><![CDATA[Newark Museum]]></category>
		<category><![CDATA[Princeton University]]></category>

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		<description><![CDATA[Michael Graves was one of the major figures of American Post-Modernism. Graves studied at the University of Cincinatti, Ohio, and then at Harvard. He was a fellow at the American...]]></description>
			<content:encoded><![CDATA[<p>Michael Graves was one of the major figures of American Post-Modernism. Graves studied at the University of Cincinatti, Ohio, and then at Harvard. He was a fellow at the American Academy in Rome for two years and in 1964 started his own practice in Princeton, NJ.</p>
<p>He became a professor at Princeton University in 1972.  He first came to prominence through the hook Five Architects (1972). The members of the &#8220;New York Five&#8221; were termed &#8220;Neo-Modernist&#8221; because of their austere reinterpretation of the rational style of Le Corbusier in the 1920s.</p>
<p>However, at the end of the 1970s, Graves&#8217; work evolved away from concern with the roots of Modernism towards a wide- ranging borrowing from architectural history. His borrowings are eclectic; he uses historical forms in a more abstract and decorative way than some other Post-Modern classicists <span id="more-28"></span>and puts much emphasis on a painterly use of colour. <a href="http://thefamousarchitects.com/">Famous architect </a>Graves has become an amusing anti-Modern propagandist. Humour is an integral part of his architecture, and much of his recent work, especially for Disney, seems to be a celebration of kitsch.</p>
<blockquote><p><strong>List of Graves&#8217;s major works:</strong></p>
<ul>
<li> Handselmann House, Fort Wayne, Indiana, 1967.</li>
<li> Addition to Benacerraf House, Princetown, NJ, 1969.</li>
<li> Fargo-Moorhead Cultural Center (bridge), Minnesota, designed 1977.</li>
<li> Kalko House, Green Brook, NJ, designed 1978.</li>
<li> Public Services Building, Portland, Oregon, 1982.</li>
<li> Humana Corporation Building, Louisville, Kentucky, 1983.</li>
<li> Witney Museum Extension Project, NY, from 1985.</li>
<li> Dolphin and Swan Hotels, Disneyland, 1989.</li>
<li> Newark Museum, New York, 1990.</li>
</ul>
</blockquote>
<blockquote><p><strong>Bibliography</strong></p>
<ul>
<li> Michael Graves, <em>Buildings and Projects</em>, New York, 1982.</li>
<li> K. Frampton et al., <em>Five Architects</em>, Nev. York, 1972; A. Colquhoun and P. Michael Carl, Graves, London, 1979.</li>
</ul>
</blockquote>

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